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Christopher Marlowe the Craftsman: Bibliography

Sarah K. Scott and M. L. Stapleton

I Editions, Texts, Reference Works, and Film Productions

Allott, Robert, ed. Englands Parnassus, or The choysest flowers of our moderne poets, with their poeticall comparisons. London: Printed for N.L.C.B. and T.H., 1600.
Arber, Edward, ed. A Transcript of the Registers of the Company of Stationers of London 1554-1640 A.D. 5 vols. London: privately printed, 1876.
Ascham, Roger. The scholemaster or plaine and perfite way of teachyng children, to vnderstand, write, and speake, the Latin tong but specially purposed for the priuate brynging vp of youth in ientlemen and noble mens houses, and commodious also for all such, as haue forgot the Latin tonge. London: John Daye, 1570.
Aubignac, François-Hédelin. The whole art of the stage containing not only the rules of the dramatick art, but many curious observations about it, which may be of great use to the authors, actors, and spectators of plays. London: William Cadman, 1684.
Avery, William T. “The Year of Tibullus’ Death.” Classical Journal 55 (1960): 205-09.
Ayres, Phillip J., ed. Anthony Munday: The English Roman Life. Oxford: Clarendon Press, 1980.
Bawcutt, N. W., ed. The Jew of Malta. Manchester: Manchester University Press, 1978.
Beard, Thomas. The Theatre of Gods Judgements. London: Adam Islip, 1597.
Bentley, G. E. The Jacobean and Caroline Stage. 6 vols. Oxford: Clarendon Press, 1941-68.
Berry, Lloyd E., ed. The Geneva Bible: A Facsimile of the 1560 Edition. Madison: University of Wisconsin Press, 1969.
Bevington, David, ed. Medieval Drama. Boston: Houghton-Mifflin, 1975.
------, and Eric Rasmussen, eds. Doctor Faustus: A- and B-texts (1604, 1616): Christopher Marlowe and His Collaborator and Revisers.  New York: St. Martin’s, 1993.
------. Tamburlaine, Parts I and II. Oxford: Clarendon Press, 1995.
------.  Doctor Faustus and Other Plays. Oxford: Clarendon Press, 1995.
------, Lars Engle, Katharine Eisaman Maus, and Eric Rasmussen, eds. English Renaissance Drama: A Norton Anthology. New York: Norton, 2002.
Binns, J. W., ed. The Latin Poetry of English Poets. London: Routledge, 1974.
Boas, Frederick S., ed.  The Works of Thomas Kyd. Oxford: Clarendon Press, 1901.
------. The Tragical History of Doctor Faustus. 1932. Reprint New York: Gordian, 1966
Booth, Stephen, ed. Shakespeare’s Sonnets: Edited, with Analytic Commentary. New Haven: Yale University Press, 1977.
Bowers, Fredson, ed. The Dramatic Works of Thomas Dekker. 4 vols. Cambridge: Cambridge University Press, 1953-61.
------. The Complete Works of Christopher Marlowe. 2 vols. Cambridge: Cambridge University Press, 1973. Revised ed. 1981.
Brehaut, Ernest. An Encyclopedist of the Dark Ages: Isidore of Seville. New York: Columbia University [Press], 1912.
Bret, Cyril, ed. Minor Poems of Michael Drayton. Oxford: Clarendon Press, 1907.
Brockbank, John Philip, ed. Marlowe: Dr. Faustus. Great Neck, NY: Barron’s, 1962.
Brooke, C. F. Tucker, ed. The Works of Christopher Marlowe. Oxford: Clarendon Press, 1910.
------.  The Life of Marlowe andThe Tragedy of Dido Queen of Carthage.”  London: Methuen, 1930.
Brooks, Harold F., ed. A Midsummer Night’s Dream. The Arden Shakespeare. London: Methuen & Co, 1979.
Bullen, A. H., ed. The Works of Christopher Marlowe, 3 vols. London: J. C. Nimmo, 1885.
Bullough, Geoffrey, ed. Narrative and Dramatic Sources of Shakespeare, 8 vols. London: Routledge, 1962.
Burnett, Mark Thornton, ed. Christopher Marlowe: The Complete Plays. London: Dent, 1999.
------, ed. Christopher Marlowe: The Complete Poems. London: Dent, 1999.
Butler, Arthur John, ed.  Calendar of State Papers, Foreign, 1579-1580.  London: Her Majesty’s Stationery Office, 1904.
Cain, Thomas, ed. Ben Jonson: Poetaster. Manchester: Manchester University Press, 1995.
Camden, William, and Abraham Darcie. Annales: The True and Royall History of the Famous Empresse Elizabeth Queene of England. London: Printed [by George Purslowe, Humphrey Lownes, and Miles Flesher] for Beniamin Fisher, 1625.
Casaubon, Isaac. De Satyrica Graecorum Poesi & Romanorum Satira (1605). Intr. Peter E. Medine. Delmar, NY: Scholars’ Facsimiles & Reprints, 1973.
Case, R. H., et al., eds. The Works and Life of Christopher Marlowe. 6 vols. New York: Dial Press, 1930-33.
Catullus. Catulli Veronensis Liber. Ed. Werner Eisenhut. Leipzig: Teubner, 1983.
Chambers, E. K. The Medieval Stage, 2 vols. Oxford: Oxford University Press, 1903.
Cheney, Patrick, and Brian Striar, eds. The Collected Poems of Christopher Marlowe. Oxford: Oxford University Press, 2006.
Christensen, David, ed. Plautus: Four Plays. Newburyport, MA: Focus, 2008
Clay, William Keatinge, ed. Liturgies and Occasional Forms of Prayer Set Forth in the Reign of Queen Elizabeth. Cambridge: Cambridge University Press, 1847.
Clugston, George Alan. “A Looking Glass for London and England by Thomas Lodge and Robert Greene: A Critical Edition. New York: Garland, 1980.
Cooper, Thomas. Thesaurus Linguæ Romanæ et Britannicæ. London: H. Wykes, 1565.
Cosin, Richard. An apologie: of, and for sundrie proceedings by iurisdiction ecclesiasticall of late times by some challenged, and also diuersly by them impugned. London : [By the deputies of Christopher Barker], 1591.
Cunningham, J. S., ed. Tamburlaine the Great. Manchester: Manchester University Press, 1981.
Dasent, J. R., ed. Acts of the Privy Council, 1542-1604. 32 vols. London: Her Majesty’s Stationery Office, 1890-1907.
Davenport, Arnold, ed. John Marston: Poems. Liverpool: Liverpool University Press, 1961.
[Davies, John.]  Epigrammes and Elegies. By I. D. and C. M.  At Middleborough: n.p., n.d.
Davis, Herbert, and F. P. Wilson, eds. “The Conflict of Conscience by Nathaniel Woodes, 1581. Oxford: Oxford University Press, 1952.
Dessen, Alan C., and Leslie Thomson. A Dictionary of Stage Directions in English Drama, 1580–1642. Cambridge: Cambridge University Press, 1999.
Drayton, Michael. The battaile of Agincourt Fought by Henry the fift of that name, King of England, against the whole power of the French: vnder the raigne of their Charles the sixt, anno Dom. 1415.  London: Printed [by Augustine Mathewes for William Lee, 1627.
Dryden, John, et al., tr. Miscellany poems, in two parts. Containing new translations of Virgil's Eclogues, Ovid's Love-elegies, several parts of Virgil's Æneids, Lucretius, Theocritus, Horace, &c. With several original poems, never before printed.  By the most eminent hands. London : Printed for Thomas Chapman, 1688.
Duncan-Jones, Katherine, ed. Shakespeare’s Sonnets: The Arden Shakespeare. London: Thomson Learning, 1997. Rpt. 2005.
------, and H.R.  Woudhuysen, eds. Shakespeare’s Poems. The Arden Shakespeare. London: Thomson Learning, 2007.
Eccles, Mark. Christopher Marlowe in London. Cambridge, MA: Harvard University Press, 1934.
------. “Brief Lives: Tudor and Stuart Authors.” Studies in Philology 79.4. Texts and Studies (1982): 1-135.
Edwards, Philip, ed. Thomas Kyd: The Spanish Tragedy. London: Methuen, 1959.
Elizabeth I. Iniunctions Geuen by the Quenes Maiestie. London: Rychard Iugge and Iohn Cawood, 1559.
Evans, G. B. The Riverside Shakespeare. 2nd ed. Boston: Houghton Mifflin, 1997.
Everitt, E. B., and R.L. Armstrong, eds. The Troublesome Reign of John, King of England. In Six Early Plays Related to the Shakespeare Canon. Anglistica 14. Copenhagen: Rosenkilde, 1965.
Farmer, John, ed. The Choise of Valentines: or The Merie Ballad of Nash His Dildo. London:  p. p., 1899.
Foakes, R. A., and R. T. Rickert, eds. Henslowe’s Diary. Cambridge: Cambridge University Press, 1961.
Forker, Charles R., ed. Christopher Marlowe: Edward II. Manchester: Manchester University Press, 1994.  
Foss, Edward. Judges of England; With Sketches of Their Lives, and Miscellaneous Notices Connected with the Courts at Westminster, from the Time of the Conquest. 9 vols. London: Longman, Brown and Green, 1848-64.
Fuller, Thomas. The history of the worthies of England who for parts and learning have been eminent in the several counties: together with an historical narrative of the native commodities and rarities in each county endeavoured by Thomas Fuller. London : Printed by J.G.W.L. and W.G. for Thomas Williams, 1662.
Fulwell, Ulpian. An Interlude Entitled Like Will to Like Quoth the Devil to the Collier. In Four Tudor Interludes, ed. J. A. B. Somerset. London: Athlone Press, 1974.
Fyfe, W. Hamilton, tr. Aristotle: The Poetics. Cambridge: Harvard University Press, 1973.
Gayton, Edmund. Pleasant Notes upon Don Quixot. London: Printed by William Hunt, 1654.
Gill, Roma, ed. The Plays of Christopher Marlowe. London: Oxford University Press, 1971.
------. “Doctor Faustus”: Based on the A Text.  London: A & C Black, 1989.
------. et al., eds. The Complete Works of Christopher Marlowe. 5 vols. Oxford: Clarendon Press, 1987-98.
Greenblatt, Stephen, et al., eds. The Norton Shakespeare. New York: Norton, 1997.
Greene, Robert. Greenes Groats-Worth of witte, bought with a million of Repentance. London: William Wright, 1592.
Greg, W. W., ed. Christopher Marlowe: Edward II. Malone Society. London: Oxford University Press, 1925.
------. Dramatic Documents From the Elizabethan Playhouses: Stage Plots, Actors’ Parts, Prompt Books: Commentary. Oxford: Clarendon Press, 1931.
------. Marlowe’s “Doctor Faustus” 1604-1616. Oxford: Clarendon Press, 1950.
Hamilton, A. C., ed. The Spenser Encyclopedia. Toronto: University of Toronto Press, 1997.
Hanabusa, Chiaki, ed. The Famous Victories of Henry the Fifth, 1598. Manchester: Manchester University Press, 2006.
Harsnett, Samuel. A Declaration of Egregious Popish Impostures. London: James Roberts, 1603.
Harvey, Gabriel. A New Letter of Notable Contents, With a straunge Sonet, intituled Gorgon, Or the wonderfull yeare. London: Printed by John Wolfe, 1593.
------. Pierces Supererogation Or a New Prayse of the Old Asse. A Preparatiue to certaine larger Discourses intituled Nashes s. Fame. London: Printed by John Wolfe, 1593.
Hasler, P. W., ed. The House of Commons, 1558-1603. London: Her Majesty’s Stationary Office, 1981.
Heath, John.  Two Centuries of Epigrammes. Written by John Heath, Bachelour of Arts, and fellow of New Colledge in Oxford. London: Printed for John Windet, 1610.
Hereford, C. H., and Evelyn Simpson, ed. Ben Jonson. 11 vols. Oxford: Clarendon Press, 1925-52.
Jarman, Derek, dir.  Edward II. BBC, 1991.
Jeayes, Isaac Herbert, ed. Letters of Philip Gawdy of West Harling, Norfolk, and of London, to Various Members of His Family, 1579-1616. London: J. B. Nichols and Sons, 1906.
Johnson, Robert Carl, ed. A Critical Edition of Thomas Prestons Cambises.” Salzburg: University of Salzburg, 1975.
Jones, John Henry, ed.  The English Faust Book. Cambridge: Cambridge University Press, 1994.
Jonson, Ben. The Comicall Satyre of Euery Man out of His Humour. As It Was First Composed by the Author B. I. London: Printed for William Holme, 1600.
------. The Workes of Beniamin Ionson. London: Will Stansby, 1616.
Kastan, David Scott, ed. “Doctor Faustus”: A Two-Text Edition (A-Text, 1604; B-Text, 1616): Contexts and  Sources, Criticism. New York: Norton, 2005.
Keefer, Michael, ed. “Doctor Faustus”: A Critical Edition of the 1604 Version and of the Censored and Revised 1616 Text.  Peterborough, ON: Broadview, 1991.
Langbaine, Gerard. An Account of the English Dramatick Poets. Or, Some Observations And Remarks On the Lives and Writings, of all those that have Publish'd either Comedies, Tragedies, Tragi-Comedies, Pastorals, Masques, Interludes, Farces, or Operas in the English Tongue. Oxford: Printed by L. L. for George West and Henry Clements, 1691.
Littleton, Betty J., ed. “Clyomon and Clamydes”: A Critical Edition. The Hague: Mouton, 1968.
Lodge, Thomas. Scillaes Metamorphosis. London: Richard Jhones, 1590.
------ and Robert Greene. “A Looking Glass for London and England by Thomas Lodge and Robert Greene: A Critical Edition. Ed. George Alan Clugston. New York: Garland, 1980.
Lupton, Thomas. A moral and piteful comedie, intituled, All for money. Plainly representing the maners of men, and fashion of the world noweadayes. Compiled by T. Lupton. London: Printed by Roger Warde and Richard Mundee, 1578.
MacLean, Hugh. Edmund Spensers Poetry.  New York: Norton, 1968.
MacLure, Millar, ed. The Poems: Christopher Marlowe. London: Methuen, 1968.
------. ed. Marlowe: The Critical Heritage. New York: Routledge, 1995.
[Marlowe, Christopher.] All Ovids Elegies: 3. Bookes. By C. M. Epigrams by I. D. At Middlebourgh: n.p., n.d.
------. Lucans first booke translated line for line, by Chr. Marlow. London: Printed by P. Short, 1600.
------. The famous tragedy of the rich Iew of Malta. As it was playd before the King and Queene, in his Majesties theatre at White-hall, by her Majesties Servants at the Cock-pit. Written by Christopher Marlo. London: Printed by I[ohn] B[eale] for Nicholas Vavasour, 1633.
Marquand, Richard, and Toby Robertson, dirs. Edward II.  Prospect Theatre Company. BBC / Classical Theater PBS USA, 1970.
Marston, John. The Metamorphosis of Pigmalions Image: And Certaine Satyres. London: Edmond Matts, 1598.
-----. The Scourge of Villanie: Three Bookes of Satyres. London: I[ames] R[oberts], 1598.
Martin, L. C., ed.  Marlowes Poems. London: Methuen, 1931.
Matthew, H. G. C., and Brian Harrison, ed. Oxford Dictionary of National Biography. Oxford: Oxford University Press, 2004.
McKerrow, Ronald B., ed. The Works of Thomas Nashe. 5 vols.  London: Sidgwick & Jackson, 1910.
------. Apius and Virginia. Malone Society.  London: Oxford University Press, 1911.
Meres, Francis. Palladis tamia. Wits treasury, being the second part of Wits common wealth. By Francis Meres Maister of Artes of both Vniversities. London: Printed by P. Short, for Cuthbert Burbie, 1598.
Mithal, H. S. D., ed. An Edition of Robert Wilson’s The Three Ladies of London and The Three Lords and Three Ladies of London.” New York: Garland, 1988.
Moryson, Fynes. An itinerary containing his ten yeeres travell through the twelve dominions of Germany, Bohmerland, Sweitzerland, Netherland, Denmarke, Poland, Italy, Turky, France, England, Scotland & Ireland. 3 vols. Glasgow: James MacLehose, 1907.
Mulcaster, Richard. The First Part of the Elementarie Which Entreateth Chiefly of the right writing of our English Tung.  London: Thomas Vautroullier, 1582.
[Nashe, Thomas.] Pierce Peniless his supplication to the diuell. London: Printed by Abell Jeffes for John Busbie, 1592.
------. Haue with you to Saffron-walden. Or, Gabriell Harueys Hunt is vp. London: Printed by John Danter, 1596.
Northbrooke, John. Spiritus est vicarius Christi in terra. A treatise wherein dicing, dauncing, vaine playes or enterluds with other idle pastimes &c. commonly vsed on the Sabboth day, are reproued by the authoritie of the word of God and auntient writers. London: Printed by H. Bynneman for George Byshop[, 1577].
Noyes, George R., ed. The Poetical Works of John Dryden.  Boston: Houghton Mifflin, 1909.
Oliver, J. H., ed. Christopher Marlowe: Dido, Queen of Carthageand The Massacre at Paris.” Cambridge: Harvard University Press, 1968.
Omerod, David, and Christopher Wortham, eds. Doctor Faustus: The A-Text. Nedlands: University of Western Australia Press, 1985.
Orgel, Stephen, ed. Christopher Marlowe: The Complete Poems and Translations. Harmondsworth, England: Penguin, 1971. Rpt. 2007.
Osborne, John, tr. Gregorius: The Marvels of Rome. Toronto: Pontifical Institute of Medieval Studies, 1987.
Ovid.  Barnabas Celsanus Vicentius habes humanissime lector Opera P. Ouidii a nobis quam accuratissime potuimus emendata.  Ed. Barnaba Celsano. Venice: Hermann Lichtenstein, 1480.
------. Ouid his inuectiue against Ibis. Translated into English méeter by Thomas Vnderdowne.  London:  Thomas East and Henry Middleton, 1569.
------. The Three first Bookes of Ouid de Tristibus Translated into English. Tr. Thomas Churchyard. London: Thomas Marsh, 1580.
------. The Erotic Poems. Tr. Peter Green. Harmondsworth, England: Penguin, 1982.
------. Tristia [and] Ex Ponto. Tr. Arthur Leslie Wheeler. Cambridge, MA: Harvard University Press, 1924. Rpt. 1985.
------. The Art of Love and Other Poems. Tr. J. H. Mozley. Rev. ed. G. P. Goold. Cambridge, MA: Harvard University Press, 1985.
------. Ovid’s Metamorphoses, Books 1-5. Ed. William S. Anderson. Norman: University of Oklahoma Press, 1997.
------. Ovid: Metamorphoses. Tr. Charles Martin. New York: Norton, 2004.
------. Heroides and Amores. Tr. Grant Showerman. Rev. ed. G. P. Goold. Cambridge, MA: Harvard University Press, 2002.
Oxford, Edward Harley, Earl of. The Harleian Miscellany: Or, A Collection of Scarce, Curious, and Entertaining Pamphlets and Tracts. 8 vols. Oxford: Printed for T. Osborne, 1744-46.
Page, William, ed. A History of Kent. 3 vols. Victoria History of the Counties of England. London: Constable, 1908-32.
Parks, George Bruner, ed. The History of Italy (1549) by William Thomas. Ithaca: Cornell University Press, 1963.
------. Gregory Martin: Roma Sancta, 1581. Rome: Edizioni di Storia e Letteratura, 1969.
Parr, Anthony, ed. Ben Jonson: The Staple of News. Manchester: Manchester University Press, 1988.
Peele, George. The Honour of the Garter.  London: Printed for John Busby, 1593.
Pendry, E. D., ed. Christopher Marlowe: Complete Plays and Poems. London: Everyman, 1976.
Petowe, Henry. The Second Part of Hero and Leander. Conteyning their farther Fortunes. London: Printed by Thomas Purfoot for Andrew Harris, 1598.
Phillips, Edward. Theatrum poetarum, or, A compleat collection of the poets. London: Charles Smith, 1675.
Pollard, A. W., and G. R. Redgrave. A Short-Title Catalogue of Books Printed in England, Scotland, and Ireland . . . 1475-1640. 3 vols. 2nd ed. London: Oxford University Press, 1974-91.
Ramus, Peter. A compendium of the art of logick and rhetorick in the English tongue Containing all that Peter Ramus, Aristotle, and others have writ thereon. London: Thomas Maxey, 1651.
Rasmussen, Eric. A Textual Companion to Doctor Faustus.” Manchester: Manchester University Press, 1993.
Ridder-Symoens, Hilde de, et al. A History of the University in Europe. 2 vols. Cambridge: Cambridge University Press, 2003.
[Robinson, George, ed.] The Works of Christopher Marlowe. 3 vols. London: William Pickering, 1826.
Rogers, G. A. J., and Karl Schumann, eds. Thomas Hobbes: Leviathan: A Critical Edition. New York: Continuum, 2006.
Rogers, Thomas. An Historical Dialogue touching Antichrist and Poperie. London: Printed by Iohn Windet for Aundrewe Maunsell, 1589.
Romany, Frank, and Robert Lindsey, eds.  Christopher Marlowe: The Complete Plays. New York: Penguin, 2003.
Rudierde, Edward.  The Thunderbolt of Gods Wrath against hard-hearted and stiffe-necked sinners, or an Abridgement of the Theater of Gods fearefull iudgements executed vpon notorious sinners. London: Printed by W. I. for Thomas Pavier, 1618.
Schoenbaum, S. William Shakespeare: A Compact Documentary Life. Rev. ed. Oxford: Oxford University Press, 1987.
Seltzer, Daniel, ed. John Pickering:The Interlude of Vice (Horestes). Malone Society. London: Oxford University Press, 1962.
------. Friar Bacon and Friar Bungay. Lincoln: University of Nebraska Press, 1963.
Simeon, James, ed. The Jew of Malta. New Mermaids Series. London: A & C Black, 1994.
[Spenser, Edmund.] The shepheardes calender conteyning twelue aeglogues proportionable to the twelue moneths. London: Printed by Hugh Singleton, 1579.
Steane, J. B., ed. Christopher Marlowe: The Complete Plays. Harmondsworth, England: Penguin, 1969.
Taylor, Gary, and John Lavagnino, eds. Thomas Middleton: The Collected Works. Oxford: Oxford University Press, 2007.
Thomas, Vivien, and William Tydeman, eds. Christopher Marlowe: The Plays and Their Sources. New York: Routledge, 1994.
Townsend, George, ed. The Acts and Monuments of John Foxe: With a Life and Defence of the Martyrologist.  3rd. ed., rev. by Josiah Pratt. 8 vols. London: G. Seeley, 1870. Rpt. New York: AMS Press, 1965.
Tupper, Frederick, and Marbury Bladen Ogle, tr. and ed.  Master Walter Map’s Book De Nugis Curialium.”  New York: Macmillan, 1924.
Vaughan, William. The Golden-groue, moralized in three Bookes. London: Simon Stafford, 1600).
Vickers, Brian, ed. Francis Bacon. Oxford: Oxford University Press, 1996.
Vogel, Ernst, ed. “All for Money.” Shakespeare Jahrbuch 40 (1904): 129-86.
Ward, A. W., ed. Old English Drama: Select Plays. Rev. ed. Oxford: Clarendon Press, 1892.
Weever, John. Faunus and Melliflora: Or, the Original of Our English Satyrs. London: Valentine Simmes, 1600.
Wells, Stanley, ed. “Perymedes the Blacksmith and Pandostoby Robert Greene: A Critical Edition. New York: Garland, 1988.
Williams, F. B. Index of Dedications and Commendatory Verses in English Books before 1641. London: Bibliographical Society Publications, 1962 (for 1960).
Wine, M. L., ed.  John Marston: The Malcontent. Regents Renaissance Drama. Lincoln: University of Nebraska Press, 1964.
------. The Tragedy of Master Arden of Faversham. London: Methuen, 1973.
Wootton, David, ed.  “Doctor Faustus with The English Faust Book.  Indianapolis:  Hackett, 2008.
Wright, James. Historia Histrionica. London: Printed by G. Croom for William Haws, 1699.

II Essays, Monographs and Edited Collections
Alan, Neil. “An Age in Love with Wonders: The Philosophical Context of Renaissance Literature.” Literature Compass 2 (Jan. 2005): n.p.
Altman, Joel B. The Tudor Play of Mind: Rhetorical Inquiry and the Development of Elizabethan Drama. Berkeley: University of California Press, 1978.
Amussen, Susan Dwyer. “Punishment, Discipline, and Power: The Social Meanings of Violence in Early Modern England.” Journal of British Studies 34 (1995): 1-34.
Arens, W. The Man-Eating Myth: Anthropology and Anthropophagy. New York: Oxford University Press, 1979.
Askenasy, Hans. Cannibalism: From Sacrifice to Survival. Amherst, NY: Prometheus, 1994.
Baines, Barbara. “Sexual Polarity in the Plays of Christopher Marlowe.” Ball State University Forum 23 (1982): 3-17.
Bakeless, John. The Tragicall History of Christopher Marlowe. 2 vols. Cambridge, MA: Harvard University Press, 1942.
Barber, C. L. Creating Elizabethan Tragedy: The Theatre of Marlowe and Kyd. Richard P. Wheeler, ed. and intr. Chicago: University of Chicago Press, 1988.
Barbour, Richmond.  Before Orientalism: London’s Theatre of the East 1576-1626. Cambridge: Cambridge University Press, 2003.
Barkan, Leonard. The Gods Made Flesh: Metamorphosis and the Pursuit of Paganism. New Haven: Yale University Press, 1986.
Barrington, Michael. “Marlowe’s Alleged Atheism.” Notes and Queries 195 (1950): 260.
Bartels, Emily. Spectacles of Strangeness: Imperialism, Alienation, and Marlowe. Philadelphia: University of Pennsylvania Press, 1993.
------. Critical Essays on Christopher Marlowe. New York: G. K. Hall, 1997.
Bartolovich, Crystal. “Putting Tamburlaine on a (Cognitive) Map.” Renaissance Drama 28 (1997): 29-72.
Bate, Jonathan. Shakespeare and Ovid.  Oxford: Clarendon Press, 1993.
------.  The Genius of Shakespeare. Oxford: Oxford University Press, 1998.
Battenhouse, Roy W. Marlowe’s Tamburlaine: A Study in Renaissance Moral Philosophy. Nashville: Vanderbilt University Press, 1941.
------. “Tamburlaine, the ‘Scourge of God.’” PMLA 56 (1941): 337-348.
Bauckham, Richard. Tudor Apocalypse. Oxford: Sutton Courtenay, 1978.
Bauman, Zygmunt. Globalization: The Human Consequences. New York: Columbia University Press, 1998.
Beckerman, Bernard. Shakespeare at the Globe 1599-1609. New York: Macmillan, 1962.
Bentley, G. E. The Profession of Dramatist in Shakespeare’s Time, 1590-1642. Princeton: Princeton University Press, 1971.
Berek, Peter. “Tamburlaines Weak Sons: Imitation as Interpretation before 1593.” Renaissance Drama n.s., 13 (1982): 55-82.
------. “The Jew as Renaissance Man.” Renaissance Quarterly 51 (1998): 128-62.
Bertram, Benjamin. The Time Is out of Joint: Skepticism in Shakespeare’s England. Newark, DE: University of Delaware Press, 2004.
Bevington, David. From Mankind to Marlowe: Growth of Popular Structure in the Popular Drama of Tudor England. Cambridge, MA: Harvard University Press, 1962.
Billington, Michael. “Is there Life after Deptford? For 400 years, Christopher Marlowe has divided the literary fraternity.” The Guardian, 3 April 1993.
------. “Evil, but no offence: The Jew of Malta.” The Guardian, 7 October 1999.
------. “Theatre of the repressed.” The Guardian, 19 January 2002.
Binns, J. W., ed.  Ovid.  London: Routledge and Kegan Paul, 1973.
Birringer, Johan H. “The Daemonic Flight of Dr. Faustus: Hope And / Or Escape?” Massachusetts Studies in English 8 (1982): 17-22.
Blackburn, William. “‘Heavenly words’: Marlowe’s Faustus as a Renaissance Magician.” English Studies in Canada 4 (1978): 1-14.
Bloom, Harold, ed. Christopher Marlowe: Modern Critical Views. New York: Chelsea House, 1986.
Bluestone, Max. “Libido Speculandi: Doctrine and Dramaturgy in Contemporary Interpretations of Marlowe’s Doctor Faustus.” In Reinterpretations of Elizabethan Drama: Selected Essays from the English Institute, ed. Norman Rabkin, 33-88. New York: Columbia University Press, 1969.
Blurton, Heather. Cannibalism in High Medieval English Literature. New York: Palgrave, 2007.
Boas, F. S. Marlowe and His Circle: A Biographical Survey. 2nd ed. London: Oxford University Press, 1931.
------. Christopher Marlowe: A Biographical and Critical Study. Oxford: Clarendon Press, 1940.
Boose, Lynda E. “The 1599 Bishops’ Ban, Elizabethan Pornography, and the Sexualization of the Jacobean Stage.” In Enclosure Acts: Sexuality, Property, and Culture in Early Modern England, ed. Richard Burt and John Michael Archer, 185-200.  Ithaca: Cornell University Press, 1994.
Bouyer, Louis. Eucharist: Theology and Spirituality of the Eucharistic Prayer. South Bend, IN: University of Notre Dame Press, 1968.
Bowers, Fredson. “The Text of Marlowe’s Faustus.”  Modern Philology 49 (1952): 195-204.
------.  “The Early Editions of Marlowe’s Ovid’s Elegies,” Studies in Bibliography 25 (1972): 149-72.
------. “Marlowe’s Doctor Faustus: The 1602 Additions.” Studies in Bibliography 26 (1973): 1-18.
Bowers, Rick. Radical Comedy in Early Modern England: Contexts, Cultures, Performances. Aldershot: Ashgate, 2008.
Bradbrook, Muriel C. “Shakespeare’s Recollections of Marlowe.” In Shakespeare’s Styles: Essays in Honour of Kenneth Muir, ed. Philip Edwards, Inga-Stina Ewbank, and G. K. Hunter, 191-204. Cambridge: Cambridge University Press, 1980.
------. Themes and Conventions of Elizabethan Tragedy. 2nd ed. Cambridge: Cambridge University Press, 1980.
Braunmuller, A. R. “The Arts of the Dramatist.” In The Cambridge Companion to English Renaissance Drama, eds. A. R. Braunmuller and Michael Hattaway, 53-90. Cambridge: Cambridge University Press, 1990.
Bredbeck, Gregory W. Sodomy and Interpretation: Marlowe to Milton. Ithaca: Cornell University Press, 1991.
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