Don’t see yours here?

I would be happy to rectify the situation: just send me complete bibliographical information and a publication link so that users may easily order, read, or download your book or essay:

Bowers, Rick. Radical Comedy in Early Modern England: Contexts, Cultures, Performances. Burlington, VT: Ashgate Publishing, 2008. (Google Books link)

Brown, Georgia E. Redefining Elizabethan Literature. Cambridge: Cambridge University Press, 2004.

Cheney, Patrick. Marlowe's Republican Authorship: Lucan, Liberty, and the Sublime. London: Palgrave Macmillan, 2009.

Deats, Sara Munson. Sex, Gender, and Desire in the Plays of Christopher Marlowe. Newark, DE: Delaware University Press, 1998.

Deats, Sara Munson. Doctor Faustus: A Critical Guide. New York: Continuum Press, 2010.

Deats, Sara Munson, and Robert A. Logan, eds. Marlowe's Empery: Expanding His Critical Contexts. Newark, DE: Delaware University Press, 2002.

Deats, Sara Munson, and Robert A. Logan, eds. Placing the Plays of Christopher Marlowe: Fresh Cultural Contexts. Burlington, VT.: Ashgate Publishing, 2008.

Foster, Brett. “Reading Marlowe Again.” Kenyon Review 31 (2009): 179-83.

Guy-Bray, Stephen. Against Reproduction: Where Renaissance Texts Come From. Toronto: University of Toronto Press, 2009.

Guy-Bray, Stephen, Vin Nardizzi, and Will Stockton, eds. Queer Renaissance Historiography: Backward Gaze. Burlington, VT: Ashgate Publishing, 2009. (also as an e-book)

Hartley, Andrew. The Shakespearean Dramaturg: A Theoretical and Practical Guide. London: Palgrave Macmillan, 2005.

Knutson, Roslyn L. Playing Companies and Commerce in Shakespeare's Time. Cambridge: Cambridge University Press, 2001.

Knutson, Roslyn L, and David McInnis. Lost Plays Website.

Kuriyama, Constance Brown. Christopher Marlowe: A Renaissance Life. Ithaca: Cornell University Press, 2002.

Logan, Robert A. Shakespeare's Marlowe: The Influence of Christopher Marlowe on Shakespeare's Artistry. Burlington, VT.: Ashgate Publishing, 2007.

Lunney, Ruth. Marlowe and the Popular Tradition: Innovation in the English Drama before 1595. Manchester: Manchester University Press, 2002. [Now in paperback!]

Lunney, Ruth. “Speaking to the Audience: Direct Address in the Plays of Marlowe and His Contemporaries.” In Christopher Marlowe the Craftsman, 2010.

Melnikoff, Kirk, and Edward Gieskes, eds. Writing Robert Greene: Essays on England's First Notorious Professional Writer. Burlington, VT: Ashgate Publishing, 2008.

Menzer, Paul, ed. Inside Shakespeare: Essays on the Blackfriars Stage. Susquehanna, PA: Susquehanna University Press, 2006.

Menzer, Paul. The Hamlets: Cues, Q's, and Remembered Texts. Newark, DE: Delaware University Press, 2008.

Scott, Sarah K., and M. L. Stapleton, eds. Christopher Marlowe the Craftsman: Lives, Stage, and Page. Burlington, VT.: Ashgate Publishing, 2010. [Introduction] (.html)

Scott, Sarah K. The Jew of Malta and the Development of City Comedy: ‘The Mean Passage of a History.’” In Christopher Marlowe the Craftsman, 2010. (.html)

Whitney, Charles. Early Responses to Renaissance Drama. Cambridge: Cambridge University Press, 2006. [Now in paperback!]

Whitney, Charles. “Appropriate This.” Borrowers and Lenders: The Journal of Shakespeare and Appropriation 3.2 (2008)

Whitney, Charles. “Dekker and Middleton’s Plague Pamphlets as Environmental Literature.” In Representing the Plague in Early Modern England. Ed. Rebecca Totaro and Ernest Gilman. New York: Routledge, 2010 (forthcoming)